Boheme Opera NJ Presents Donizetti’s Comic Gem “Don Pasquale”

Don Pasquale Boheme Opera kicks off its 24th Anniversary Season 2013 main stage with the incomparable opera buffa, one of comic opera’s most beloved Donizetti masterpieces, Don Pasquale. 

Performances are on Saturday, February 9 at 7:30pm and Sunday, February 10 at 4:00pm in Mildred and Ernest E. Mayo Concert Hall at the Music Building of The College of New Jersey.  The production will be sung in English in a costumed semi-staging accompanied by the Boheme Opera Chamber Orchestra.  Artistic Director Joseph Pucciatti directs and conducts this updated version of the classic. Courtesy shuttle will again be available on campus.

Donizetti’s 64th opera and his final comedy, Don Pasquale is about a doddering old fool who is tricked into marrying a supposedly nice young lady who then makes his life hell until she gets what she wants.  The Don took love into his own hands, but wasn’t prepared for the disastrous results.  Starring in the title role is veteran bass-baritone Edward Bogusz is one of the popular singers to appear with Boheme Opera, having sung in 14 productions with the company including a record four portrayals of “Sacristan” (Tosca) in 4 different venues. He first sang Don Pasquale with Boheme in 1991. Mr. Bogusz’s repertoire encompasses well over 100 operatic as well as nearly 80 oratorio-concert roles.  In addition to his continued singing career, he is a producer (Philadelphia’s Ed Bogusz and Friends), coach, teacher and adjudicator within the opera field.

A talented young trio joins Mr. Bogusz on stage, beginning with soprano Sungji Kim as Norina, an emerging artist who has appeared in leading roles in numerous performances in Japan, Korea, Germany, Canada and throughout the United States. She is a much sought after artist with a repertoire ranging from Renaissance and Early Music to contemporary pieces.  As an active contemporary singer, she has been featured in premiere performances with the Telesis Music Ensemble, Sound Clock Ensemble and at the Universities of Pennsylvania, New York, Princeton (sponsored by Novel Laureate Toni Morrison), at the Curtis Institute of Music and the Manhattan School of Music. Currently a doctoral candidate at Rutgers University, she is being featured in the role of Nannetta in Verdi’s Falstaff. She was last heard with Boheme as soprano soloist in its staging of Messiah in 2009.

Singing the role of Dr. Malatesta is baritone Kevin Grace. A regional artist from the New York City Opera roster, he has appeared as Escamillo (Carmen) with Hudson Opera Theatre, as Happy (La Fanciulla del West) with the New York City Opera, as Schaunard (La Boheme) with New Rochelle Opera, as Elder Ott (Susannah) with Boheme Opera New Jersey; as the Marchese/ Barone (La Traviata) with Caramoor International Festival; as the Baritone Soloist in Mozart’s Missa Brevis in D with the Connecticut Master Chorale; as the Baritone Soloist in the Bach Christmas Oratorio with the Greater Trenton Choral Society, and as Melchior (Amahl and the Night Visitors) with NJ Artist Performance Alliance. He was last heard with Boheme as Sharpless in its 2009 production of Madama Butterfly.

Rounding out the cast as Ernesto is tenor David Gagnon, who last appeared with Boheme as Frederic in its 2010 production of The Pirates of Penzance. He appeared in the world premieres of Grendel at LA Opera directed by Julie Taymor and in John Brown at Lyric Opera Kansas City.  Other credits include Nemorino in The Elixir of Love with Cedar Rapids Opera, Tamino in The Magic Flute with Townsend Opera, Alfredo in La Traviata and Belmonte in Abduction From the Seraglio, both with Skylight Opera, Camille in The Merry Widow and the title role in The Student Prince, both with Opera Columbus.   Mr. Gagnon made his European debut as Ferrando in the Giorgio Strehler production of Cosi Fan Tutte in Moscow and in Recanati, Italy.  David appeared in the first national tour of Ragtime and on Broadway as Enjolras in Les Miserables.

Tickets for Don Pasquale are $30 and $20.  Groups of 10 or more get an automoatic $5 off each ticket when ordering online.  The TCNJ online box office can be accessed using the free download of JAVA.  www.tcnj.edu/boxoffice. Also order by phone at (609) 771-2775, Monday-Friday, 10am – 2pm and 6pm – 8pm. Student rates also available.

Boheme has added a new feature to its opera experience this season, that of Opening Night Dinners at TCNJ’s 1855 Room, within walking distance from the Mayo Concert Hall.  For information and reservation, call Boheme at (609) 581-9551.  For more details, visit www.bohemeopera.com.

PHOTO CAP: Bass-baritone Edward Bogusz and soprano Lorraine Ernest in one of Boheme Opera’s early productions of La Boheme. Edward is singing the title role in Don Pasquale.

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The Bucks County Opera Association

The Bucks County Opera Association exists to support the Academy of Vocal Arts (AVA), which is dedicated to the development of exceptionally talented and committed young singers who have the potential for international stature on the operatic stage.

The AVA resident artists are presented in fully staged productions (full orchestra, set, costumes, and supertitles) each year in the Bucks County community.

The Academy of Vocal Arts, 1920 Spruce Street, Philadelphia, was founded in 1933 by Helen Corning Warden to provide the highest quality professional training for talented singers on a tuition-free basis.

Adele Warden Paxson, long-time resident of Bucks County and daughter of founder Helen Corning Warden, was Chairman of the Board of Directors of the AVA prior to her death in 2000 and her daughter, Sally Paxson Davis, followed in her footsteps as the Chairman of the Board of AVA until her death in 2008.

Admission into AVA’s four-year program is highly competitive, with approximately 26 singers enrolled in any given year. Today, AVA is the only tuition-free institution dedicated exclusively to the study of voice, diction, languages, and acting for full performances of opera.

Many of the graduates now perform on the stages of the Metropolitan Opera House, Lyric Opera of Chicago, Opera Company of Philadelphia, Santa Fe Opera, La Scala, Covent Garden, Vienna Opera House, and other worldwide halls.

The Bucks County Opera Association Committee is co-chaired by Barbara Donnelly and Susan Kane and consists of several volunteers who raise funds for AVA and who support the productions being performed in Bucks County.

The next AVA production in Bucks County will be Giuseppe Verdi’s “Un ballo in maschera” on May 11th, 2013, at Central Bucks South High School.

For more information, call 215-862-2526 or check the website, www.avaopera.org.

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COMMUNITY GUIDEBOOK PROFILE: The Bucks County Opera Association

The Bucks County Opera Association exists to support the Academy of Vocal Arts (AVA), which is dedicated to the development of exceptionally talented and committed young singers who have the potential for international stature on the operatic stage.

The AVA resident artists are presented in fully staged productions (full orchestra, set, costumes, and supertitles) each year in our Bucks County community. The Academy of Vocal Arts, 1920 Spruce Street, Philadelphia, was founded in 1933 by Helen Corning Warden to provide the highest quality professional training for talented singers on a tuition free basis.

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Broadway & Opera Vocal Studio: Offering private voice lessons by a professional vocal performer and music educator

BROADWAY OPERA PROFILE

by June Portnoy

Whether your child has dreams of singing on Broadway, “American Idol,” as a hobby, or honing his or her vocal skills to prepare for an audition or a role in a school musical, the Broadway & Opera Vocal Studio in Newtown is the place to go. Owner and vocal teacher, Shelly O’Hara-Tapp, teaches private voice lessons in the intimate, comfortable setting of her Newtown Borough studio, located in her home where students are given one-on-one personal attention.

“I can accomplish a lot more in this private setting than in a class environment because all the focus is on the child,” says Shelly.

There are few opportunities for private vocal instruction in this area, not to mention to have that instruction offered by someone with Shelly’s impressive credentials. Trained as a professional opera singer, Shelly has sung with renowned opera and choral companies in the United States and in Europe. She obtained her degrees in vocal performance from The Cleveland Institute of Music and Shenandoah Conservatory. She also received a professional studies degree in opera from the Mannes College of Music in New York, and completed additional studies at Julliard.

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Opera Performance

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